I decided to just look out the window and find a composition.  This one went really fast and now I'm thinking of doing more on a garden theme.  I have some antique objects in my yard that came from downtown.  Still I want to do less detail.  Today a beautiful green bird flew into the window.  It has happened before.  So I have to figure out a way to prevent it without blocking out the light.  I think there is more subject matter in the yard but it is still too hot to be out a long time.  I painted downtown with friends last week.  It's so hard but so nice to be out and paint from life.  

Last post collage of mother and child at the beach was selected for the South Carolina Water Media Society Annual Exhibition. I didn't realize I had posted it before.  Anyway it's exciting because it's a bit different. This summer I've been studying figures at the pier and beach where I live. And while I told myself I'd never paint children on the beach, never say never.  The above painting is acrylic on paper, an improvisation of a tree in Beaufort that I will revisit.  My website is in need of an overhaul to reflect changes.  Thank you for visiting.

Painted paper collage of mother and child at the beach.  Color is everything.

It's mid July and 90+ temps are the norm for a while to come.  Realizing that a lot of frustration comes from using photographs, I am working on painting what's outside the studio window while sticking with old themes for collage.  How I would love to go to McLeod and set my easel up by the river and paint the bridge.  I see so many great paintings on Instagram now.  They paint from life and it's really inspiring.  This is one of my collage offerings for Charleston Artist Collective for August.  

Returning from painting in Tennessee, I realized it is about space.  I learned a lot from Peggy at Root Studio School.  This was such an enjoyable experience to be outside by the creek with all kinds of nature sounds, a nice breeze and the train.  But I am looking a lot at David Hockney now.  The variety of styles and mediums, the way he worked out problems, painting the Grand Canyon, the pools, the iPad landscapes.  Amazing.  

After making countless little collages with acrylic painted paper strips, I went back to "serious" painting in oil.  Now I'm finding I really miss the ease of color mixing in water based media. The above is a color study I did in my sketchbook with acrylic.  Which way to go?

It's hard to believe these small collages can generate so much paper.  I use acrylic paint to make lots of strips in varying colors and values.  I have just finished 10 collages featuring local architecture.  The "Little Houses" pop up show will be in March on the Charleston Artist Collective website.  They are 6x6 (framed 7x7) in white wood frames.  Next I will be doing similar images larger and in oil.  Love making these small works but its time for a change.

My friend and former neighbor Tanya Craig opened a beautiful new art and craft gallery at Folly Beach.  The blue bungalow was transformed from a funky little rental cottage, where my daughter and husband spent their wedding night.  Now it is a gathering place for creative people and groups and will have some workshop type events.  Unfortunately it is on a side street, 113 West Erie Ave, a few doors down from Black Magic, so you have to look for it.  Folly officials were not helpful about signage.  Anyway I have some collages and a few paintings there.  It has some lovely work but is just a fun place to visit because Tanya is just that kind of person.  See her fused glass work, jewelry, ceramics and more.  I almost forgot, this figure is after Corot, and his exhibit, Corot: Women, at the National Gallery of Art of which I was not able to see in person.  But the book is wonderful.  

These are small (7x7 framed) collages for December available at Charleston Artist Collective.  I used Matisse as my inspiration.  I really enjoy doing these small ones because its easier to try new things.